{"id":3068,"date":"2016-07-08T12:58:45","date_gmt":"2016-07-08T12:58:45","guid":{"rendered":"http:\/\/gurdjieff-dances.com\/eng\/?page_id=3068"},"modified":"2020-11-28T07:09:47","modified_gmt":"2020-11-28T07:09:47","slug":"articles","status":"publish","type":"page","link":"https:\/\/gurdjieff-dances.com\/eng\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/participants-sharing-and-comments\/\">PARTICIPANT&#8217;S SHARING AND COMMENTS<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/gurdjieff-movements-the-radiance-of-presence\/\">Gurdjieff Movements: The Radiance of Presence<br \/>\nAmiyo shares the story about one of her biggest love affairs<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/au-masculin-et-au-feminin\/\">The Masculin and The Feminin<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/three-kinds-of-attention\/\">The three kinds of attention<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/mysticism-of-sound\/\">Mysticism of sound<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/my-experience\/\">My experience<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/in-a-group\/\">In a group<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/heart-without-measure\/\">Heart without measure<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/behind-the-visible-movement-by-jeanne-de-salzmann\/\">Behind the (visible) Movement<\/a> (Jeanne de Salzmann)<\/strong><\/p>\n<p><strong><a href=\"http:\/\/gurdjieff-dances.com\/eng\/articles\/gurdjieff-movements-why-are-they-beneficial-to-performing-artists\/\">Gurdjieff Movements for performing artists<\/a> (Amiyo Devienne)<\/strong><br \/>\n&#8211; More presence in the body<br \/>\n&#8211; More presence in the feelings<br \/>\n&#8211; More presence in the mind<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PARTICIPANT&#8217;S SHARING AND COMMENTS Gurdjieff Movements: The Radiance of Presence Amiyo shares the story about one of her biggest love affairs The Masculin and The Feminin The three kinds of attention Mysticism of sound My experience In a group Heart without measure Behind the (visible) Movement (Jeanne de Salzmann) Gurdjieff Movements for performing artists (Amiyo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/pages\/3068"}],"collection":[{"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/comments?post=3068"}],"version-history":[{"count":8,"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/pages\/3068\/revisions"}],"predecessor-version":[{"id":18854,"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/pages\/3068\/revisions\/18854"}],"wp:attachment":[{"href":"https:\/\/gurdjieff-dances.com\/eng\/wp-json\/wp\/v2\/media?parent=3068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}